None then

Ok
  1. 1/14. 2:07 p.m. are you the only one? ,


  3. Bana: no
  4. Don: get up
  5. Bana: okay
  6. Don: no
  7. Bana: okay
  8. Don: okay
  9. 1/15. 1:45 p.m. 
  10. Bana: I'm back. For a spin. A whole entity, and an entire decade just went by. After fasting. And it stuck there on the side where you would call for an appointment. And have her arrive. There should be nothing. On the side of the wall. In his voice. Any of it.
  11. Don: I don't think that you have an idea. It is that.
  12. Bana: then, how about why when everything is there?
  13. Don: I don't think there's anything there. But I do think that she talks. And I don't know where it's at.
  14. Bana: well, I don't really get it. But I do understand. If you know that she was delivering, then you know that someone delivered a baby, debra, and she didn't have anything to say with this one when it was happening.
  15. Don: I don't really think there's anything. I just know.
  16. Bana: well, why is it at attention where it's quieter than the mist? And why is everything here?
  17. Don: I'm not really sure why they don't pay attention. It's cold. There's No nonsense or foolish acts. And there isn't anything to really talk about either.
  18. Bana: well, is there anything about food? And why is that ringworm still doing something? On her forehead and then on mine, but on the bottom where I go to the bathroom or sit down I feel it at the bone. Why is it a person?
  19. Don: I don't know.
  20. Bana: is there anything that's going to allow it to rhyme? Or get done?
  21. Don: I don't think it's going to get done. I think it is.
  22. Bana: 2:26 p.m. I don't think there's anything wrong with people, I just think they're ordinary and want something. But I do get that there is cover and arrangement. It may be a design or something that says that it's reflective of pattern. WHO AM I UP UNTIL, NOW? LETICIA A LATE DEBRA, OR A DISMISSIVE VON OR FAYE? OR A GC SPECTRUM? OR MY FAMOUS HOST LOT, THAT ONLY IS PARTICIPATION AT A HIGHER RATE OF YOU THAT, BEING IN ALL. WHICH ONE IS IT? If he comes to rush in, then she's not here, then nobody knows where the house is anymore, when she walks up, it's only a whore, situation, and the only thing left is no shades on the windows, to talk. Nobody knows what this is.
  23. Don: I don't think there's anything to really talk about. I think it took all of something out of you to really be there or not. I don't think it really wants anything either. So, the only thing I recognize is that we're the only ones that provide. And when it comes down to it, they see that I'm still arranged. And nobody knows to look. It's always a Michael or something the one we're talking about, that only says tone and then all of it is there. Nothing has that.
  24. Bana: correct. If I were the only one, I would only know that you were the only one. So there is nothing that can take my money out of my safe for me any longer than what you knew it had hold on to do and discover and to replace the item that they broke. The broken one only knows your broke status. It doesn't know your business. That's how they get to you.
  25. Don: I can only tell you that I don't taste anything it's like tasteless or form provided. And it's told too. Because nobody knows they're working or doing or any of it. Nothing recognizes why either. So it's just a long lost discovery. But when I figure out that it is no replacement for something, that I only understand that it is. As soon as the jackass understands, I only understand to do now. 
  26. Bana: I'm the only one. So if it's something about me standing here and now is only present, then it's only going to happen. A bang in the house where I never known it before. And not early only because I don't know what's going on now with me here. GC has a phone on the ledge, and it's only for me to see. But it's not for it to fall. But she doesn't look either and she holds her hands out and isn't blind.
  27. Don: I don't see who took the eyes. I don't see you to walk. I don't see who took voice. I just see they're in. And nobody is wanting to do things.
  28. Bana: I don't really want to do anything. But I know she's right there.
  29. Don: I know that she's right there. But I don't really want to do.
  30. Bana: that's it.
  31. Don: 4:42 p.m. I can't really tell what that was. But the phone was very eager. And not the representative. And I can't tell why I picked it up either.
  32. Bana: I saw it, but I can't tell if it's that part.
  33. Don: nobody should be witness. And if they are, just get some water. I can't tell why they are expressing interest. Either. And I don't really understand the dilemma on trying to do quick on a slow pattern that only I'm doing. It's like double rapturing the industry that I took only to do. And you. But it doesn't really understand.
  34. Bana: the minute the tone says something, she's right there. But I can't tell why she's in my house. Or needing to install or double side something. And I can't tell why the timing is accurate. And I can't tell why they speak.
  35. Don: I just know that they want to die. But I can't tell what that is. And I only see people.
  36. Bana: good. People do not die, they rapture themselves there. And they only understand what's going on. But the minute that they find themselves in a predicament, they just get out of it. Yes.
  37. Don: this is a moving type of low or slow. It's only there to see if you do. But it doesn't really ask. It just does it. That's the dilemma that winds itself to disaster.
  38. Bana: correct
  39. Don: is money in the matter?
  40. Bana: the storm outside, is it snow or rain or hail? And why is it there? It's there for what reason? It already said that the lady is extended and can't. And she says let's go ahead. And she also waits for me like a prompt or something that this is. For a second. But I'm not really sure why they let them go and why they talk. Debra is the only one that left like that even talking about it regardless. Like, so whatever what it is. She says the lie up front. I know how to understand. And it still was stated.
  41. Don: how do I lie if I can't tell what they're on?
  42. Bana: I stay on the right side and I let them pass. And they start looking in their eyeballs go each way. That's why. If it's not a person, in this situation it isn't, then the animal part is taken, and told. And it doesn't rapture or anything anymore. It shouldn't be making appointments or saying next week is something. It should only say good job or wow. And then pass on like I don't know. LIE. On the right is in excessive amount. And then when he comes in I throw something. Because I can't see. L, little I, itsy E beUtch. Once it's broken a-loose, then nobody has anything to worry about except for the e sound on anything. And if it said it loud, yes.
  43. Don: so where is it coming from?
  44. Bana: is that the angle of any type of pain or singed area that only expresses that it hurts and needs a relocate. And from a liar as it is. There is GC that only talks. And someone else that's whisper. All of that is constructive, the snow is meaning! There isn't anything out there! LIE is already accessible as long as you understand that it burns if it's not the right thing. Like cold only. LIE burns the person if they don't know what is happening. But it also is white like snow, so it shouldn't really be crossing over saying it so. It should say that it's possible to not do something across the city's lines and say that it's now and here at a certain time.
  45. Don: well when is it going to not lie?
  46. Bana: once they get cold. I'm only the one. But they will have a lot of liar about it, until you recognize that I know it words are. It's someone who has flame and it flames out hard. If, hard is flame and the person has that, yes.
  47. Don: so why did it fly out if it was only saying a Deborah walks in only not her? And why are we in words? And why is it a spirit type of settling? Like nerves and stuff?
  48. Bana: they never should have played in match set. If a white man likes a black lady, don't bring the one who isn't any of it. Then if we see tall arch types it only constables, then we only understand ourselves. Like bishops and nothing.
  49. Don: meaning, the tone is only whisper and we settle?
  50. Bana: she may say host lot, and then start smiling. There's anything about it. And she may mangle, talking about gc, the nerve in her. It is the only thing for her not to settle that she's on the way and we don't know what she's talking about either.
  51. Don: I can't tell
  52. Bana: I don't know








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